5. Jake is a hideaway rock star but also a guitar maker. Why did you choose these professions and skills for him? Did you need to do much research to learn about these creative fields or do you have knowledge or experience of your own?
I’ve always loved the way music connects people and takes them places emotionally. As a flautist, I’ve loved playing in duets, bands and other ensembles. Listening to good music is almost as essential to me as food!
The romantic simplicity of voice and guitar is reminiscent of the first love ballads of the troubadours of the Medieval and Renaissance eras. Even Sam, who wears the emotional suit of armour of a Middle Ages knight, cannot resist the pull of Jake’s music.
At the start of the novel, Jake has retreated from the world to make guitars instead of play them. It will be Sam who reawakens in him the desire to fully share his creative gifts with the world once more.
As always, as a former journalist, I loved the research opportunities provided by my fiction writing, including the processes of guitar making, inlay, Vegas, real estate transactions, Australian flora and fauna, rock bands and more.
Importantly, as with my previous novels, I consulted psychologists to ensure my characters’ behaviours and emotional journeys were realistic, believable and responsible.
6. Who was the most difficult character to write in Summer Beach and why?
It is always a challenge to create a lead character who is flawed and strong, yet likeable. Why would a reader invest in the fate of Sam when she is so abruptly self-sufficient, especially as her extreme vulnerability does not emerge until the last part of the novel?
Through Sam’s experience of jet lag and annoying mosquitoes in the opening pages, through the affection she shows Fliss and her father’s old dog, Scoobie, and especially through her initial frustrations with Jake, I hope to successfully invite readers into her story.
7. What drew you to reading and writing romance fiction and what is it about the genre that you love?
For me, the great attraction of romance is the “happy for now” or “happy ever after” ending. In the 24/7 news cycle of tragedy, it’s too easy to forget that love and joy are all around us.
Reading and writing romance remind me that while everyone experiences challenges and setbacks in their lives, both external and internal, we all have the power to take risks and to reach out and make changes and connections that can improve our lives and the lives of others. Emotions and relationships matter!